While laws can influence culture in ways great and small, the usual way of things is that culture informs the law. By culture I mean that alloy made of the a society’s aspirations, desires, fears, and biases. These are what they hold important. It is the stuff their art and media is made of. And by law I mean not only the letters of the laws that are passed, but how they are passed, and how they are enforced…or not, as the case may be. Right now there are a lot of people across the political spectrum who are anxious to control the law because they don’t understand that the winner of this cycle of political battle we’re in right now has already been decided by the culture (especially the art and media) of the 80s, 90s, and before.
So when we look at a smear campaign by the pink mafia that causes the destruction of a TV show about brothers flipping houses for in-need families on the HGTV network,
HGTV announced on its Facebook page Wednesday that it was scrapping plans for the upcoming series after a report emerged identifying one of its stars as an activist against gay marriage and abortion. After the CNN interview, David told Deadline he and his brother had been “really excited” about the reality series, thinking it would give them “that opportunity to show America that you can be Christian and not be so extreme on one side of an issue that you’re not loving toward people. I was excited about that opportunity,” he said.
we’re looking at secondary explosions of a bomb that went off in previous decades. Those decades gave us cable and wealth. They gave us the housing market boom that increased homeowner envy, incited irrational exuberance for building more and bigger houses, created the glut that makes flipping houses a thing people believe anyone can get into, and the Internet makes all this knowledge available. Without those things, you don’t even have a show about flipping houses to be cancelled; or even an HGTV to cancel it. And sometime before all that: Homes and gardens–the church buildings of the family–became the cultural domain of homosexual men. We should not be surprised that two straight white men’s show about helping actual families (Dad, Mom, and kids) live together got caught in the blast.
The Good News: At least one man has heard the call to arms. His name’s John Erwin, and he’s not going to let the next generations suffer the same fate.
Erwin, whose new film “Moms’ Night Out” opens in theaters nationwide Friday, lambasted the industry for failing to take the time to consider the social consequences of distributing messages rooted in rampant violence, sex and smut.
Hollywood, he charged, doesn’t “have a soul anymore” — a paradigm he’s hoping to change through the work he’s doing with his brother, Andrew Erwin. The two co-directed “Moms’ Night Out,” a comedic follow-up to “October Baby,” their dramatic feature film about abortion survival.
The Erwin brothers are taking an entirely different approach.
“There’s no emphasis on anything other than, ‘Does this make money?,’” he charged of studios’ movie-making decisions. “There’s no boardrooms where people are asking, ‘Is ‘Grand Theft Auto’ good for people?’ They only ask, ‘Does it make money?’”
Erwin, a Christian who’s bent on producing films that focus on a fulfilling story or an uplifting message, said it’s long past due for Hollywood to really take the time to pursue a “double bottom line” — that is, creating content that is both financially profitable and ethically sound.
The Bad News: He’s leading F Troop.
Instead of a pretend enemy of equally hapless American Indians, we’re up against a deadly serious new Reich hellbent on slaughter, sodomy…nothing less than general and utter desecration. To see what I mean about leading F Troop, watch this trailer for John Erwin’s film-as-cultural-cannon, “Mom’s Night Out” as it topples the watchtower of patriarchy.
It’s a film about how mothers are over-worked yet under-appreciated, and how if they didn’t labor under this unfair burden all our children would be dead. All the fathers are inept, ignorant, and with one exception completely unappreciative. Even that guy suffers being tied-up and injured to the point of needing an ambulance–and that at the hands of small children. Every single father in the preview tries to weasel out of taking responsibility of his children; either by whining to his wife, checking them into an arcade, and even up to dropping them off at a tattoo parlor.
A bit of good luck there for our surrounded and outnumbered wives, though. Because while tattoo parlors are generally considered dens of slightly-less-iniquity than whorehouses, they also come stocked with presumably (and hopefully!) unmarried and fearless bikers who will stick by those wives no matter what to save those kids. Good thing, too, because the dads are too busy bumbling, hiding, and healing up from their traumatic experiences in babysitting to be of any help whatsoever. The necessity of the bikers is depicted in the clips where the bikers are leading even the police in the rescue, and will not hesitate to rough up another idiot father who stands in the way of their mission.
The snippet that really drives home the beautiful alliance of the bikers and the wives…
Did I forget to mention those wives are also smoking hot when they’re not being kept down by the idiot bastards to whom they’re married?
…is when they show the massive and tattoo’d leader of the bikers sitting with the wife in the little black dress at the police station. Bikers–as everybody knows–aren’t only in it with your wife for the excitement. They’re in it for the long haul of fretful nights, too. One imagines those bikers could be in all kinds of things for wives.
There’s your Family-Friendly Film warriors at work; bringing us an “ethically sound”, clean and relatively painless lethal injection of fatherhood that frees up wives to have real adventures, sexy bikers, great clothes, the joy of kids…everything.
Before some wiseguy cracks that I haven’t even seen the movie yet, and so I can’t know what I’m talking about: You’ve not only missed the point of my post, but the point of movie trailers altogether.
Later in the Blaze interview I linked above, John Erwin says:
“There was a day when Hollywood really had a moral fiber in my opinion, that there was clear good versus evil and there were rules for what could and could not be portrayed,” he told TheBlaze. “I love comedy, but it stinks that there are so few comedies that I can go and see.”
Erwin said it’s unfortunate that so many people of faith are put in positions in which they need to sacrifice their values in order to get a good laugh, many times feeling like they “want to take a bath afterwards.”
“We’re going off a cliff in the kind of content we’re creating,” Erwin said. “My appeal to everyone in Hollywood is, can we please clean up our act?”
Tell me about it, Captain Parmenter.
Edited to include footnote , which is out of order.
 Played by country singer Trace Adkins. Trace is 6’5″ and has family values written all over him. He’s sold millions of albums filled with dozens of songs about himself, been married and divorced three times, and has had at least five children by at least two women. (His groupies declined to comment during the calls I didn’t make for clarification.)
 For those of you in the mood to take another beating, check out this clip of the creators of this film talking about why and how they made it. One pitch for the movie–by the co-writer, director, and brother to John: Andrew Erwin–is such a farce that I will transcribe it here:
It’s this feel-good, empowering story, and it’s really about a husband and wife fighting for each other and fighting for their family. And I hope there’s just this resounding message to moms to keep going; just keep going; just keep doing what you’re doing[…]
- It’s not a story about a husband and wife fighting together, but rather wives, their friends, and bikers.
- Keep going towards what? Divorce, girls’-nights-out, and bikers, presumably.
 As I have already received and deleted one off-target racial comment meant to redirect from my post to a discussion about race, let me make my inclusion of white clear. It matters in this case because NAMs, when attacked, can always resort to their Aggreivance Protection Policy to abjure the haters. In the alternate reality where everything is the same except the twins are black, their show is still in production. But if you’re a white guy: There’s no APP for that. I’m not particularly upset about that, either. Find the black dudes who are housing and supporting families and put them on the air.